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Senin, 15 Agustus 2016

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Based on the bestselling novel by master storyteller Nicholas Sparks, THE LONGEST RIDE centers on the star-crossed love affair between Luke, a former champion bull rider looking to make a comeback, and Sophia, a college student who is about to embark upon her dream job in New York City's art world. As conflicting paths and ideals test their relationship, Sophia and Luke make an unexpected and feateful connection with Ira, whose memories of his own decades-long romance with his beloved wife deeply inspire the young couple. Spanning generations and two intertwining love stories, THE LONGEST RIDE explores the challenges and infinite rewards of enduring love. (C) Fox

About The Longest Ride

Artist : Scott Eastwood, Brittany Robertson, Alan Alda, Oona Chaplin, Jack Huston
As : secret
Title : The Longest Ride Peliculas Online
Release date : 2015-04-10
Movie Code : 2726560
Duration : 160
Category : Drama


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Peter Howell Comment The Longest RideName : Peter Howell / Alias : Toronto Star
It runs a long 128 minutes. You have to wade through not just puddles of tears, but also piles of BS.
Todd McCarthy Comment The Longest RideName : Todd McCarthy / Alias : Hollywood Reporter
Just as the basic plot points are hard to swallow, even the most rudimentary aspects of the characters' interactions feel forced, artificial and unspontaneous.
Stephanie Merry Comment The Longest RideName : Stephanie Merry / Alias : Washington Post
People don't go to Sparks movies for subtlety; they go to warm their hearts by bearing witness to true love. Of course, that requires a story that rings true. In "The Longest Ride," authenticity is in short supply.
Mick LaSalle Comment The Longest RideName : Mick LaSalle / Alias : San Francisco Chronicle
Everything in the movie is suffused by a vision of life that is resoundingly and evidently false, but as this vision is not repulsive, but is intended to reassure, the lies don't produce anger or frustration. No, they bring on the laughs.
Wesley Morris Comment The Longest RideName : Wesley Morris / Alias : Grantland
The Longest Ride has as much bull as the 10 previous Sparks adaptations. This is one of the few you can ride for longer than eight seconds.
Alonso Duralde Comment The Longest RideName : Alonso Duralde / Alias : TheWrap
The real love story is between Eastwood and David Tattersall's camera, which spends so much time leering over the actor's cheekbones, abs and other attributes that you begin to wonder if someone's going to call Human Resources.
Jesse Hassenger Comment The Longest RideName : Jesse Hassenger / Alias : AV Club
Qualifies as one of the best Sparks films by virtue of not including any love-ghosts or destructive misinformation about how Alzheimer's works.
Lou Lumenick Comment The Longest RideName : Lou Lumenick / Alias : New York Post
Can the ailing Ira help the young lovers work things out in his limited time left on earth - or even afterward? Let's just say Sparks works up to an ending that's as shamelessly preposterous as it is predictable.
Soren Anderson Comment The Longest RideName : Soren Anderson / Alias : Seattle Times
Carolina settings, star-crossed lovers, elements of tragedy: Sparks' formula works. Get out your handkerchiefs, and rest assured that there will be uplift at the end.
James Berardinelli Comment The Longest RideName : James Berardinelli / Alias : ReelViews
As a romance, a drama, or even a sports movie, The Longest Ride never reaches a satisfying destination.
A.O. Scott Comment The Longest RideName : A.O. Scott / Alias : New York Times
Fairly tedious, despite the charm and sincerity of the actors.
Connie Ogle Comment The Longest RideName : Connie Ogle / Alias : Miami Herald
Merely adding an older generation of lovers to a love story does not make your romance one for the ages.
Rafer Guzman Comment The Longest RideName : Rafer Guzman / Alias : Newsday
The young Eastwood is better than you might expect, though it's Chaplin who shines in this Nicholas Sparks romance.
Richard Roeper Comment The Longest RideName : Richard Roeper / Alias : Chicago Sun-Times
"The Longest Ride" treats us to a twist that's so ridiculous I think we're almost supposed to laugh. It's not quite on the "Are you KIDDING ME!?" level of awfulness as the big reveal in "Safe Haven," but it's close. It's close.
Claudia Puig Comment The Longest RideName : Claudia Puig / Alias : USA Today
The Longest Ride is sentimental, forced and silly, but it's sure to hit the bull's-eye with its intended audience.
Stephen Whitty Comment The Longest RideName : Stephen Whitty / Alias : Newark Star-Ledger
The movie has nowhere to go and spends more than two hours getting there.
Sandy Cohen Comment The Longest RideName : Sandy Cohen / Alias : Associated Press
The film is likely to satisfy Sparks fans. And it brings something new to the romance genre: bull riding.
Michael Phillips Comment The Longest RideName : Michael Phillips / Alias : Chicago Tribune
Even when Eastwood and Robertson, pleasant enough company, threaten to float off the screen, "The Longest Ride" glides along and delivers its reheated comfort food by the ton.
Christy Lemire Comment The Longest RideName : Christy Lemire / Alias : ChristyLemire.com
The Longest Ride is pretty darn tolerable - and sometimes even enjoyable - not just for fans but also for regular people who are, you know, cynical.
Joe Morgenstern Comment The Longest RideName : Joe Morgenstern / Alias : Wall Street Journal
Conforms to a timeworn, and shopworn, Sparks formula of troubled protagonists receiving wisdom, or inspiration, or both, from unexpected sources.
Joe Neumaier Comment The Longest RideName : Joe Neumaier / Alias : New York Daily News
If this is your particular poison, it won't kill you. But anyone averse to Sparks' sappy touch may get sick from all the bull.
Amy Nicholson Comment The Longest RideName : Amy Nicholson / Alias : L.A. Weekly
It's easy to tease a Nicholas Sparks movie. It's harder to admit that he's good at his niche - and has a string of 10 films, nearly all profitable, to prove it
Scott Foundas Comment The Longest RideName : Scott Foundas / Alias : Variety
Appealing performances by a trio of second- and third-generation Hollywood kids keep this three-hankie twaddle more bearable than it deserves, but "Ride" will surely go the longest with audiences for whom this is not their first Sparks rodeo.
Barbara VanDenburgh Comment The Longest RideName : Barbara VanDenburgh / Alias : Arizona Republic
It's exactly what you'd expect, except executed with more-than-typical competence with the help of a few excellent actors and some gorgeously photographed rodeo scenes that capture the drama and thrill of bull riding.
Bilge Ebiri Comment The Longest RideName : Bilge Ebiri / Alias : New York Magazine/Vulture
Look, it's easy to laugh at this stuff - that's part of the game, in fact. To buy into these movies, you have to buy into the silliness. But The Longest Ride, for all its ridiculousness, comes by its emotions honestly.
Colin Covert Comment The Longest RideName : Colin Covert / Alias : Minneapolis Star Tribune
This is spoon-fed entertainment, but it tastes pretty good.
Peter Keough Comment The Longest RideName : Peter Keough / Alias : Boston Globe
It tries to bridge the gap between pop culture and cultural elitism, between high art and the common commodity that everyone else buys tickets to see. A worthy goal, but it results in a movie that has none of the virtues of either.
Liam Lacey Comment The Longest RideName : Liam Lacey / Alias : Globe and Mail
Eventful, polished, and knuckle-bitingly dull, the 10th film adapted from a novel by Nicholas Sparks, combines fate, bull riding and some powerful Hollywood bloodlines among its young cast.
Betsy Sharkey Comment The Longest RideName : Betsy Sharkey / Alias : Los Angeles Times
The two-plus hours is mostly marked by an emptiness born of scene after scene designed to blatantly manipulate emotions rather than trigger them.
Ben Sachs Comment The Longest RideName : Ben Sachs / Alias : Chicago Reader
Though Tillman doesn't quite elevate the maudlin material into serious drama, the result is uncommonly sensitive.


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Selasa, 07 Mei 2013

Demon Full Movie Hd Quality

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Newly arrived from England to marry his fiancee Zaneta (Agnieszka Zulewska, Chemo), Peter (Israeli actor Itay Tiran, Lebanon) has been given a gift of her family's ramshackle country house in rural Poland. It's a total fixer-upper, and while inspecting the premises on the eve of the wedding, he falls into a pile of human remains. The ceremony proceeds, but strange things begin to happen. During the wild reception, Peter begins to come undone, and a dybbuk, the iconic ancient figure from Jewish folklore, takes a toehold in this present-day celebration-for a very particular reason, as it turns out. The final work by Marcin Wrona, who died just as DEMON was set to premiere in Poland, is part absurdist comedy, part love story-that scares, amuses, and charms in equal measure.

About Demon

Artist : Itay Tiran, Agnieszka Zulewska, Andrzej Grabowski, Tomasz Schuchardt, Katarzyna Herman
As : Piotr
Title : Demon Full Movie Hd Quality
Release date : 2016-09-09
Movie Code : 4935158
Duration : 94
Category : Art House, International, Mystery, Suspense


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J. R. Jones Comment DemonName : J. R. Jones / Alias : Chicago Reader
Tonally the film recalls Andrzej Żuławski's shrieking psychodrama Possession, though the key to that movie was its inexplicability and Wrona's movie, with its conventional horror backstory, is much less perplexing.
Matthew Lickona Comment DemonName : Matthew Lickona / Alias : San Diego Reader
Yes, Refn indulges his camera to the point of luxuriating, but then, he has reason to believe you'll stay with him.
Katie Walsh Comment DemonName : Katie Walsh / Alias : Tribune News Service
Archly silly, quotable, visually hypnotic and perfectly suited for repeat viewings. On first watch, the film is bizarre, hallucinatory, shockingly gruesome. A second watch unlocks the dumb-clever charms of Refn's script
Kate Taylor Comment DemonName : Kate Taylor / Alias : Globe and Mail
Things go downhill rapidly as the movie descends into horror material that is laughably grotesque yet so visually cool it remains fatally unfunny.
Stephen Whitty Comment DemonName : Stephen Whitty / Alias : Newark Star-Ledger
Refn has shown that he's a director who knows how to say things with energy and imagery and verve. Now if he could only find something worth saying.
David Lewis Comment DemonName : David Lewis / Alias : San Francisco Chronicle
The exquisitely shot "Demon" is not gory or particularly scary, but it has its fair share of chills.
Katie Rife Comment DemonName : Katie Rife / Alias : AV Club
More interesting than the horror imagery is the film's painfully somber message-no matter how far we try to run, the sins of history surround us always.
Brian Truitt Comment DemonName : Brian Truitt / Alias : USA Today
Characters only exist as empty archetypal vessels and some of the wackier elements are laughably campy, but Refn's sumptuous visuals and disco-synth score help give Neon Demon undeniably sinister style.
Bill Goodykoontz Comment DemonName : Bill Goodykoontz / Alias : Arizona Republic
The film is visually striking, even if the images don't always make sense.
Scott Marks Comment DemonName : Scott Marks / Alias : San Diego Reader
Though it's based on Piotr Rowicki's play Clinging, director Marcin Wrona's spirited staging keeps it from ever dissolving into canned theater.
Sara Stewart Comment DemonName : Sara Stewart / Alias : New York Post
Like Refn's one-dimensional women, this movie thinks it's profound when it's really just drop-dead gorgeous.
Soren Anderson Comment DemonName : Soren Anderson / Alias : Seattle Times
Refn ("Drive") is a visual stylist, first and foremost, and he never lets the audience forget it. "Demon" is a monument to his self-regard .
Robert Abele Comment DemonName : Robert Abele / Alias : TheWrap
Enjoy the cascade of formal, brazen imagery, just don't mistake its sporadic painterly power for the clinical rigor of Kubrick, De Palma's maestro panache, or a snaky Lynchian nightmare.
Peter Rainer Comment DemonName : Peter Rainer / Alias : Christian Science Monitor
Wrona keeps everything creepily ambiguous right up to the end, when the foggy dawn breaks and what we have witnessed becomes like a dream within a dream.
Simon Abrams Comment DemonName : Simon Abrams / Alias : RogerEbert.com
Demon ranks up there with The Witch and The Babadook as one of the best recent horror films.
April Wolfe Comment DemonName : April Wolfe / Alias : Village Voice
Whether or not you connect with Refn's brand of over-the-top violence, you can't deny that his attention to color, texture, and music is nearly unmatched by other directors working today.
J. Hoberman Comment DemonName : J. Hoberman / Alias : Tablet
Demon, Wrona's third and last feature, a Polish-Israeli co-production, is a supernatural film, as well as a family of melodrama and extremely dark comedy.
Amy Nicholson Comment DemonName : Amy Nicholson / Alias : MTV
An all-female cast just gives Refn more ways to get women wrong.
Andy Webster Comment DemonName : Andy Webster / Alias : New York Times
The film has a powerful undercurrent suggesting the feverish workings of a troubled yet brilliant mind.
Peter Travers Comment DemonName : Peter Travers / Alias : Rolling Stone
A special kind of awful. I'd talk about the acting, but I never saw any; it's all posing. Director Refn seems to saying that the L.A. beauty business is superficial and needs to be avoided. Ditto this movie.
Kevin P. Sullivan Comment DemonName : Kevin P. Sullivan / Alias : Entertainment Weekly
The ending will shock just about everyone, but to what end? Neon Demon is as beautiful and empty as the industry it sends up.
Tom Russo Comment DemonName : Tom Russo / Alias : Boston Globe
After all the earlier trippy languor, Refn suddenly pushes hard to make this a unique statement. Which it is - uniquely repellent.
Adam Graham Comment DemonName : Adam Graham / Alias : Detroit News
"Demon" is a testament to a still-budding talent, and it would have been fascinating to see where he went next.
Todd McCarthy Comment DemonName : Todd McCarthy / Alias : Hollywood Reporter
A stultifyingly vapid, ponderously paced allegorical critique of the modeling world whose seethingly jealous inhabitants can't wait to literally chew each other up and spit each other out.
Owen Gleiberman Comment DemonName : Owen Gleiberman / Alias : Variety
It's not boring, but there's less to it than meets the eyeball.
Rene Rodriguez Comment DemonName : Rene Rodriguez / Alias : Miami Herald
The Neon Demon is a voluptuous provocation, a stylish free-fall down a gonzo rabbit hole that is as entrancing as it is maddening.
John DeFore Comment DemonName : John DeFore / Alias : Hollywood Reporter
Things head eventually in an abstract direction that may have played better onstage than it does here ("we must forget what we didn't see here," guests are eventually instructed), but a compelling atmosphere lingers.
Rex Reed Comment DemonName : Rex Reed / Alias : New York Observer
I'd like to tell you how dumbfoundingly awful The Neon Demon is, but I know when to give up.
Simon Abrams Comment DemonName : Simon Abrams / Alias : RogerEbert.com
"The Neon Demon" is often productively brash, even if it is ultimately more preposterous than it is satisfying.
Tirdad Derakhshani Comment DemonName : Tirdad Derakhshani / Alias : Philadelphia Inquirer
A chilling, eerie cautionary tale about the ghosts that continue to haunt Poland long after the war.
Liz Braun Comment DemonName : Liz Braun / Alias : Toronto Sun
The Neon Demon is a cautionary tale about youth, beauty and Los Angeles, a vampiric study of modelling that is both terrifying and hilarious.
James Berardinelli Comment DemonName : James Berardinelli / Alias : ReelViews
Pretentious and self-indulgent, it seems tailor-made to appeal to lovers of the obtuse and inscrutable until it takes a left-turn into schlocky, gore-drenched splatter imagery.
Richard Roeper Comment DemonName : Richard Roeper / Alias : Chicago Sun-Times
Neon Demon is something to look at. It's gotta lot of bark and a little bit of a bite. It just never sinks in.
Chris Nashawaty Comment DemonName : Chris Nashawaty / Alias : Entertainment Weekly
It's also so weighted down with mysticism and metaphor it forgets to quicken your pulse or whiten your knuckles.
Mark Jenkins Comment DemonName : Mark Jenkins / Alias : NPR
It's comedy, as much as the eerie atmosphere and Tiran's very physical performance, that distinguishes Demon from routine ghost stories.
Colin Covert Comment DemonName : Colin Covert / Alias : Minneapolis Star Tribune
Entertaining and deeply screwed up with historic horrors, this is an all-too-human ghost story that wears several bleeding hearts on its sleeve.
Glenn Kenny Comment DemonName : Glenn Kenny / Alias : New York Times
"The Neon Demon" is hot garbage that dares you to call it offensive. In addition, it's offensive.
Mike D'Angelo Comment DemonName : Mike D'Angelo / Alias : AV Club
The movie ultimately doesn't have a narrative so much as it has a Message, and while Winding Refn doesn't actually go so far as to spell that Message out in big neon letters, he might as well have.
Scott Tobias Comment DemonName : Scott Tobias / Alias : NPR
The mesmeric pull of The Neon Demon cannot be denied. It lures you in for the kill.
Alan Zilberman Comment DemonName : Alan Zilberman / Alias : Washington Post
Wrona jumbles several genres together, including dark comedy, to illuminate larger, more ambitious themes.
J. R. Jones Comment DemonName : J. R. Jones / Alias : Chicago Reader
This stylish shocker by writer-director Nicolas Winding Refn (Drive) equates physical beauty with the life force-the metaphor is intriguing, but not enough to compensate for his cliched portrayal of the modeling business as a glamorous snake pit.
Stephanie Zacharek Comment DemonName : Stephanie Zacharek / Alias : TIME Magazine
This is purely an exercise in style, and what style!
Anthony Lane Comment DemonName : Anthony Lane / Alias : New Yorker
Prettiness and brutality both seep from the pores of the movie.
Tirdad Derakhshani Comment DemonName : Tirdad Derakhshani / Alias : Philadelphia Inquirer
A bold visionary artist, Refn seems able to revel in the culture of instant gratification while also subjecting it to critique.
Adam Graham Comment DemonName : Adam Graham / Alias : Detroit News
There's no denying the beauty of Refn's images, even if his puerile instincts are at odds with his obvious pretensions. Those who cry it's shallow and ugly won't be wrong; others will love it for those very reasons.
Justin Chang Comment DemonName : Justin Chang / Alias : Los Angeles Times
Perhaps it's best to appreciate "Demon" not for what it implies but for what it simply and unmistakably is: A bravura testament to a talent silenced far too soon.
Dave Calhoun Comment DemonName : Dave Calhoun / Alias : Time Out
Gorgeous, obvious, vapid, beautiful, a bit boring.
Peter Howell Comment DemonName : Peter Howell / Alias : Toronto Star
Refn is hardly the first moviemaker to find a link between supermodels and scary monsters, but he may be the most style-minded one to make the connection. Imagine an issue of Vogue with Maleficent as guest editor.
Eric Kohn Comment DemonName : Eric Kohn / Alias : indieWIRE
This grotesque, hyperstylized treatise on the fashion industry recaptures some of the zany images and B-movie abstractions of Refn's crossover effort, "Drive," though it never quite gels on the same level of inspiration.
Andrew O'Hehir Comment DemonName : Andrew O'Hehir / Alias : Salon.com
Whether you think it's a brilliant feminist commentary or misogynistic softcore porn is entirely up to you. And who says those things cancel each other out?
Joe Leydon Comment DemonName : Joe Leydon / Alias : Variety
Ambiguity is a worthy artistic goal, of course. But when Demon ends, the audience is left to sort through a thicket of dangling plot threads.
Rafer Guzman Comment DemonName : Rafer Guzman / Alias : Newsday
Stylish and creepy, but also simplistic and hollow. As an indictment of the beauty industry, it's only skin-deep.
Michael O'Sullivan Comment DemonName : Michael O'Sullivan / Alias : Washington Post
If Refn is trying to skewer our cultural fixation with youth and good looks, his blade isn't up to the task. "The Neon Demon" attacks, but indiscriminately.
Will Leitch Comment DemonName : Will Leitch / Alias : The New Republic
A deadly combination of self-seriousness and self-indulgence that's more about the obnoxious petulance of its director than anything else. This is a movie you want to pick up and throw across the room.
Joshua Rothkopf Comment DemonName : Joshua Rothkopf / Alias : Time Out
Nailing a tricky sense of physical anarchy (as well as some far subtler domestic tensions), Marcin Wrona's Polish import is an eerie, extraordinarily poised piece of horror.
Edward Douglas Comment DemonName : Edward Douglas / Alias : New York Daily News
As with many supermodels, The Neon Demon is gorgeous to the eye but ultimately quite vacant and shallow.
Alison Willmore Comment DemonName : Alison Willmore / Alias : BuzzFeed News
The movie is a bloody-mawed catfight on hallucinogens, but the visual splendor doesn't change the fact that the film barely has characters.
Justin Chang Comment DemonName : Justin Chang / Alias : Los Angeles Times
Nicolas Winding Refn's latest film is a self-indulgent exercise in style. But what self-indulgence, and what style!
David Lewis Comment DemonName : David Lewis / Alias : San Francisco Chronicle
It critiques our obsession with models and beauty and style, even as it obsesses about those very same things. There is a lot of flash, but little substance.


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